Friday, February 14, 2014

We'll fight it out to see it through

I could eat this song--every delicious piano chord and that weird synth bridge, too, and then chew it all in time with those congas.

I used to go to Stephanie's off-campus apartment specifically to listen to this song on her copy of this record, on her turntable. Why I didn't just borrow it is beyond me. Finding and re-loving a song is so easy now, we take it for granted. Then, we had to sledge our way through snow on a February night to someone else's residence to hear what we wanted to hear, and hope that they had a working turntable-to-tape set-up and might offer to dub the record, that is, if they had any blank TDKs laying around. A song had to be worth all of that.

Now it can play after taking twenty seconds to locate it in a vast, faceless digital universe, and can play while while the first star of the night when it's still light outside is visible, so faint that your effort involves distinguishing star from sky. But it's there, and worth that less strenuous trek.


Wednesday, January 29, 2014

Random Play: Just let me close my eyes, memorize the way things are this minute

I miss:

  • Videos with parrots that are like little films in exotic locales, aren't in HD, and that don't have tongue displays
  • Diagonal stripes
  • Focusing on one thing at a time--like watching a three-minute music video--without constant distraction deflection
  • 1982
 

Thursday, January 16, 2014

Random Play: There was voodoo in the vibes

This is a fine example of what I like to call wide-lapel sleeze rock: you know, where a quick and sleazy encounter is described in great, brandied detail as a satin-sheeted, smoky assignation accompanied by a guitar riff that'll unzip pants, or by shoulder-baring saxophones, or some silken synths. This unfettered, sexy epoch was short, only 1977-79, but that's, what,

What kind of night? It's when you're asked to loosen up that pretty French gown since we can turn the lights down low and be swayin' to the music  til the night closes in (shout out to Richmond, KY!), because you'd rather be a fool with a broken heart than a liar.

Slow Hand, of course, just cuts to the chase. And when it's over, this guy pushes the hair out of his eyes and goes crazy when he sees you. Just make sure that he doesn't still see your face if he's married someone else.

But it's this guy who'll get you in the end. He's been waiting in the hall.

Where was I? Oh, yeah. Back when you walked into the room:


Tuesday, January 14, 2014

Random Play: There's only one way to get things done

I was surprised to find out this track was by BTO. I mean, they're what rawk music hissing out of a sticky-floored back room jukebox by the pool table sounds like. Ragtime piano trills and high-hat staccatos. Workin', then drinkin'. I hear "Takin' Care of Business" and immediately picture myself in the back of Flounder's on Clybourn and Diversey (which has closed, goddoggit!), playing pool and drinking Miller Lite after work from our desk jobs and the two friends who were scamming people as "personal trainers" at the Bally's that was kitty-corner from it.

This doesn't sound like that night.

Moreover, what Randy is saying struck a nerve. It's the old your-oxygen-mask-first principle. Get yourself feeling right, and everything else falls in line.

Related: I love these cryptic, terse reviews of BTO's albums by Robert Christgau.

Look at this yourself with your big brown eyes:




Wednesday, January 08, 2014

Happy Birthday: Fill your heart

It was "square" of him to do it, but Bowie fancied and fashioned this song. 



Here, have three hours-plus of the lad to fill your heart.