Okay, this was supposed to be posted a couple of weeks ago--but, hey, it's good to have something in your back pocket.
Anyway, emails were aflame at that time amongst my female crew about which movie is better, Pretty in Pink or Sixteen Candles.
Now, PiP initially comes out on top because, well, Duckie. Duh. Not to mention, Andie (okay, also because of her name) works in a super-cool record store just like Cut Corner Records (, and wears perfectly mis-matched and utterly cool vintage or handmade clothes and hats.
But then the spectre of the ending looms: the fact that Andie goes stag to prom, then runs off with Blane (the proto-asshole rich guy name, and let's not talk about the fact that he was a floppy-haired wimp that, inexplicably, my friend Robin lurrrved) and leaves poor Duckie with tears running down onto his bolo tie. Let's just say there's a lot of people who'd snap up the version of PiP with the original, Andie-chooses-Duckie ending faster than Britney scrambling for a loose Cheeto under the sofa.
While Pretty in Pink, then, is as problematic as a Shakespeare Problem Play, Sixteen Candles is as uncomplicated and sentimentally entertaining as Barefoot in the Park. It features not just one, but two young Cusacks, was filmed in its actual location in north suburban Chicago (PiP was set in Chicago but filmed in LA), and was the most quotable movie until, well, 1985, when The Breakfast Club came out.
But this is not a contest between BC and SC; we were discussing the merits of the latter and Pretty in Pink, and Sixteen Candles, without a doubt, has a trump card.
And that card's the king of hearts: Jake Ryan.
Need I say more?